Online Response #1
Deconstructing
Authority in Bill & Ted’s Excellent
Adventure
The somewhat confusing nature of time travel in Bill & Ted’s Excellent Adventure is
explained during the two friends’ bleakest moment. Needing keys to the jail cell to release the
imprisoned historical figures, Ted realizes the time machine could be the
solution their problems.
Bill: If only we
could go back in time to when [Officer Logan] had them and steal ‘em then.
Ted: Well, why
don’t we?
Bill: ‘Cause we
don’t have time?
Ted: We could do it
after the report.
Bill: Ted! Good thinking dude! After the report, we’ll time travel back to
two days ago, steal the keys, and leave them here!
Ted: Where?
Bill: Don’t
know. How about behind that sign? That way, when we get here now, they’ll be
waiting for us.
Bill bends
down behind the sign, and, as predicted, finds the keys to the jail cell. Ted tells Bill that they must remember in the
future to go back in time and steal the keys, and then he remembers they don’t
need to because they already have the keys in their hands. What happened in the past has happened,
obviously, but what will happen in the future has also happened. Time is nonlinear and events unchangeable in Bill & Ted’s Excellent Adventure,
despite its premise that Bill and Ted’s future as universal saviors might be
compromised if they do not pass their history report. Rufus, as ambassador of the future, should
know their destiny is never in doubt.
After all, he lives in the post-Bill and Ted era, a time and place of
universal harmony. He also knows Bill
and Ted’s own travels into history will not disrupt the present or future. Time travel in Bill and Ted’s world does not
carry the risk of the butterfly effect.
After each of their near-dozen voyages in the time machine, Bill and Ted
return to an unchanged San Dimas, California, despite having done much to
potentially alter the course of history.
Their predestination as world leaders/saviors ironically gives them more
power and control than traditional authority figures in the film, but the
inevitability of their future roles makes them subjects of a greater force,
destabilizing the concept of authority.
The
traditional authority figures of Bill
& Ted’s Excellent Adventure make their present felt early in the film,
establishing a dichotomy of old authority and new authority, Bill and Ted
representing the latter. The history
teacher, Mr. Ryan, and Ted’s father, Officer Logan, each deliver ultimatums:
first, pass the history report or get a failing grade; second, pass history or
go to military school in Alaska. Officer
Logan, in occupation and personality, is law-an-order rigidity; he is really
the only character openly fighting a cultural war. He does not actually want Ted to pass the
history test, because that would only reinforce what he considers bad behavior:
laziness, procrastination, lack of focus, inability to prioritize, etc. He nearly succeeds as the obstacle to Bill
and Ted’s present and future success when he locks the historical figures,
essentially the history report, in his jail cells after a disturbance at the
local mall. Officer Logan is powerless
in the end, though, as his black-and-white worldview cannot stop the great men
of history, including his own son.
That Bill
and Ted are figures of authority throughout the film, not just in an
undetermined time in the future, is evident as soon as they start collecting
figures from the past. More impressive
than their actual history report is their ability to gather a disparate group
of people using little to no coercion.
Their success in managing different personalities illuminates some of
the preferred leadership traits of the 1980s.
Bill and Ted are likable, charismatic, and attractive, three
characteristics made more desirable by television. This is an era one generation removed from a
presidential debate in which one candidate coolly surged ahead in the polls
while his sweaty opponent, betrayed by cameras, dropped in popularity. This is an era, obviously, that is witnessing
the close of the actor-president’s second term in office. Napoleon, who spends more time in 1980s San
Dimas than any other historical figure, struggles to exert his post-revolution
style of leadership, with much comic effect, in an era that requires authority
to look a certain way. The princesses
also modify their criteria of authority.
Engaged to marry fellow royalty soon, they surely will not lack
power. When Rufus goes back in time to
retrieve them, though, they do not hesitate to accompany him; they are just
pleased they do not have to marry the “royal ugly dudes.”
If traditional
authority figures are powerless in comparison to Bill and Ted, Bill and Ted are
powerless to a separate figure in the film: corporations. The world of Bill and Ted has a changing
superstructure with its own implicit ideologies. Materialism is what people value most: Bill
and Ted dream of stardom on MTV, Bill’s father lives comfortably with his much
younger trophy wife, and the entire population of San Dimas spends their time
leisurely, either at the mall or the water park. The powers that be that need Bill and Ted to
become rulers need them not for their intelligence, which is sorely lacking,
but for their ability to propagate an ideology that will make some people very
rich. Having Bill and Ted as rulers
commodifies coolness. As they perpetuate
the virtues of a slacker life, Bill and Ted are also furthering the aims of MTV
and shopping malls everywhere. One would
wish Bill and Ted were changed after their time-traveling adventures, but they
are not. They still do not know how to
play guitar, and they arguably have not learned much about history. They simply had the most help in their
presentation. Bill and Ted’s adventure
was never about changing them, though; that Bill and Ted’s ascendancy as
universal saviors is inevitable takes away their agency and makes them puppet
rulers for a faceless, but powerful, authority.
Reilly Ryan
9/8/2013
You know, once you start looking for that subversive bourgeois ideology you see it everywhere. Good angle.
ReplyDelete